A master's thesis at the College of Fine Arts, University of Basrah, examined the influence and influence of the director on the aesthetics of the Iraqi theater performance. From an intermediary after what was receptive to one that affects and changes the style of operation of the aesthetic components of theatrical performance.
The thesis discussed several axes, including human thought between the identity of vulnerability and the level of influence in art, directorial thought between vulnerability and the values ​​of influence in the structure of theatrical performance, the conceptual director of the capabilities of the affected in the performances of the Arab world theater.The thesis aims at revealing the directorial components with the dual influence and artistic influence of the aesthetics of the Iraqi theatrical performance.
The thesis concluded that being influenced by the human sciences and working to study them within an aesthetic approach supports theatrical work mechanisms, and establishes new discoveries in directing, and gives the influencer a specificity through which he writes a different theatrical direction or style.