The thesis presented by student Salah Hammadi Jaza 'included four chapters. The first chapter contained the methodological framework and dealt with the research problem, which was identified by the following question (What are the philosophical representations that the contemporary Arab theatrical text consecrated in its emphasis on freedom)

As for the second chapter, the researcher dealt with the most basic principles adopted by some of the artistic schools and currents in their proposition of the philosophy of freedom.

The third chapter includes five Arab theater models that were intentionally chosen for their compatibility with the research objectives.

The fourth chapter included the most prominent results, as the philosophy of freedom presented by the theatrical scripts differed in their intellectual and philosophical aspirations between men and women, as men were distinguished by their political character that aspired to change the political systems of the state, while women were characterized by a social character looking to change social systems.

The message aimed ..

 By revealing representations of the philosophy of freedom in the texts of contemporary Arab theater.

The message concluded.

The philosophy of freedom represents an original axis in devoting the emotional, expressive and intellectual energy of the text to achieving goals that bring together the different joints that the theatrical text wants to achieve in conveying its humanitarian message.