I searched a master's thesis in the College of Fine Arts, University of Basra (Aesthetics of Paradise Painting in Renaissance fees)

The thesis presented by the student (Manaf Ali Saleh) contained four chapters

The first chapter deals with the research problem that was presented and summarized by asking what are the artistic and aesthetic features that characterized Renaissance paintings.

As for the second chapter, it included the theoretical framework, indicators and previous studies

The third chapter showed the research population of (83) models, and the research sample of (19) models

As for the fourth chapter, it was presented in solidarity with the results of the research, its conclusions, recommendations and proposals

It showed the importance of research, (Aesthetics of Firdaws Painting in Renaissance Drawings) in an attempt by the researcher to shed light on this phenomenon aesthetically and scientifically.

Among the conclusions reached by the researcher: -

1- Renaissance paintings had a true tendency in most of his drawings towards the visual representation of figures

2- The concept of Paradise was formed in the paintings of the Renaissance as an extension of the propositions and ideas of philosophy that preceded this era, but in a new form that is compatible with the religious thought of the era.

3- Renaissance artists relied on embodying religious themes in most of their artistic works, including Paradise, while non-religious public themes were less important to them, and the religious personality was central and important, unlike public figures.