I went to the Faculty of Fine Arts and at Marla Hall, the master's thesis of graduate student Osama Mahdi Hashem, tagged (The problem of cultural diversity in contemporary theatrical production) The research contained four chapters.

The first chapter included the importance of research, the goal of research, the limits of research and the definition of terms, while the question of the research problem focused on the following hypothesis: What is the extent of the benefit of various cultures in producing the contemporary Iraqi theatrical performance

The second chapter (theoretical framework) included three sections

The first topic (crystallization of the concept of culture), and we talk to the researcher about the crystallization of the concept of culture

From the very beginning of this term down to the contemporary stage

The second topic - the diversity of cultural references in the world theater, and the researcher has dealt with oriental theater

The third topic - included the diversity of the cultures of the international theater production

The researcher concluded

The multiplicity of the dress that was simulated from the simulation of more than one culture, and the movement that was presented by performing physical movements belonging to a variety of cultures, some of them related to the East and the other related to the atmospheres in terms of significance and intentionality in the Western environment, as well as the dominance of the ritual atmosphere, but it is close to the ritual conditions of the vulva in the theater according to the inspirations of the theatricalists in their performances.