A master's thesis in the College of Fine Arts at Basra University examined Chinese myths and their representation in Chinese painting

The message presented by the student Shahd Sabah Majeed Abdullah included four chapters

The first chapter included the methodological framework for the research and it dealt with the nature of the concept of myths and their effective presence in the collective cultures of peoples. The second chapter included three investigations, in which the researcher tried to lay the foundations for the concept of myth to move as a new cultural aspect that inspired researchers in primitive cultures 00 and then moved to become a study subject Until this interest led to the establishment of mythology 00, which is the science researcher in myths

In the third chapter, the research community included, which included contemporary Chinese paintings, and the selection was deliberately made on (15) models.

The fourth chapter shows the findings and conclusions reached by the researcher.

Thesis 00 aims to define the concept of myth by setting determinants of this thought, which makes it an intellectual genus with features that distinguish it from others in Chinese painting.