The doctoral thesis was discussed at the Faculty of Fine Arts, Marla Hall, for graduate student Amer Muhammad Hussein, tagged (New Historicism and its manifestations in the theatrical text: Selected Models). The new historicism was an important tributary of the important critical streams of postmodernism, whose theorists were able to decimate the critical arena with its propositions in various types of literature, whether it was theater, either poets, novels, stories, etc. This study was divided into four

Chapters include the first chapter (the methodological framework, the research problem that was concluded in the following question (what are the formations produced by the theatrical text according to the arguments of New Historicism) and the importance of research and the need for the mechanism that was launched because the research is the first and unique in studying this critical trend and an analysis of theatrical texts. This may be summarized. The research on revealing the new historical developments in the theatrical text of the second chapter - it included the (theoretical framework) as a prelude and four topics. The researcher studied, in the introduction, how to distinguish between the new historicism and the historical, historical and historical curriculum, and studied in the first topic the emergence and leadership of the new historicism as for the second topic. The new approach deals with a group of only critical trends, while the third topic examines historicism