At the Faculty of Fine Arts, a master's thesis of graduate studies student Heba Hani Muhammad Al-Eidani was discussed, tagged (Description of representational performance and its representative approaches in contemporary world theater data
The researcher divided the topic of her research into four chapters that included the first chapter the methodological framework, beginning with the research problem centered on the following question: What are the characteristics of the representative performance and its global approach in the data of contemporary Arab theater The need for research is that the research is a systematic study that benefits specialists in the field of theater in general and representation Theatrical specifically and the goal of the search is specified with the following
(The connections of representational performance and its global approaches are known in contemporary Arab theater data)
(The connections of representational performance and its global approaches are known in contemporary Arab theater data)
The second chapter included the theoretical framework and indicators that resulted from previous studies. It came in two topics, the first topic. Theories of representational performance in the world stage
The second research theories of representative performance in Arab theater
Then she came up with the indications that resulted from the theoretical framework that adopted a standard to be done according to the analysis of the research sample.
The third chapter included the research procedures that guaranteed the research through the search tool, the research method, and the selection of the intended sample
The fourth chapter included the findings of the researcher, and the most prominent of them
1- The rhetorical discourse of Tawfiq Al-Hakim achieved a performance descriptive approach
2- The performance description of (Berrechid) statement is based on the integration element that the celebrities consider centrally.
3- Assaf's statement was based on a performance description that necessitates the actor to find the technical means that depend on drawing the spectator to the active participation in the formation of the show.
4- Investment of the image theater data for the unconscious stocks of both the actor and the receiver
The chapter contained conclusions, a set of recommendations and proposals, and concluded with a list of sources and references and a summary in the English language
